Tag Archives: Quarantunes

The Perils of Improvisation

She came up on the patio porch about 7:00 last evening while Andrea and I were woodshedding Wayfaring Stranger; Andrea leading on mandolin and I, fumbling along on guitar – my second or third or fourth axe. It was a warm evening and neighborhood doors and windows were open. She cupped her hands around her eyes and pressed up against the screen door, peering in like a snorkeler ready to dive.

“Is that you smokin’ weed?” she asked – and laughed. She knew the answer. No one smokes inside. A few moments earlier I had detected a sniff of the same pernicious flora wafting in from the sidewalk and wrinkled up my nose. Andrea laughed at me and said, “If you’re going to do concerts, get used to it.”

Now the shadow snorkeler at the door continued, “Thanks for praying for us. It really helped.”

Neighbors are close and noisy, walls are very thin, my daughter is very vocal and active in her faith. She reaches out to the neighbors the second she is prompted. I am the quiet one, shy, and frankly, it’s not in my personality to say everything I believe or philosophize. No. I take my feelings directly to the piano. Sometimes, I am so timid I close the door.

“We sing along with the piano,” she continued. “My family knows most of the words to the old hymns.”

My Elvis and pop-folk to hymn ratio is about eight to one. Perhaps my neighbor perceives the hymn value in Love me Tender, Can’t Help Falling in Love, and Danny Boy. Or maybe it’s You Raise Me Up or Water is Wide – those often masquerade as hymns.

Andrea and I rounded out the second verse of Wayfaring Stranger and paused. The neighbor added, “But sometimes we are singing along with the hymns and the piano just goes da da da off to a different tune all together.” She made a spiraling motion with her finger. I laughed out loud, “That,” I said, “is the peril of improvisation.” Next thing you know she’ll be complaining that she can’t reach the high notes and I’ll have to move Unchained Melody out of the key of “C.”

“Can you do Amazing Grace in “A”? I asked Andrea as I strummed a I, IV, V. This one’s for the hymn loving lady on the porch. Andrea lead. I followed. We eased into a rhythm. The lady’s live-in came out their door. She pulled him into a hug. And they danced. Yes, they danced with Amazing Grace on our patio and then moved off down the sidewalk.

And that is why we make music  – why we improvise – so people can still sing and dance.

Music Heard Round the Neighborhood

Did you ever wish to visit Bourbon Street? Not for the drink, but for the music? Did you ever walk into the music building at a university and stop and listen to the cacophony coming from practice rooms and see the students conducting to tunes in their heads in the lobby and breathe and say, “feels like home?”

The other night, about half an hour before sunset, she took a hike. Right there on Paul Wilbert Memorial Trail, a saxophone bleat caught her attention. She stopped dead in her tracks to listen. Clearly, from 300 feet below in the neighborhood, came squawking sounds of reed music. Someone was practicing outside. She was delighted. Memory took her back to childhood sessions lolling in a hammock with trumpet pressed to her lips. Was it a student? And then, reed properly wetted and adjusted, the musician eased into 60s jazz, bending a few tones, undulating, something familiar. This was no beginner. This was a gift to the neighbors. Mark it on your schedule, 7:00 pm every night.

She has pinpointed, in various forays around the neighborhood, a kit drum house, two guitar houses, the saxophone house and a banjo house. It’s a quaint Victorian neighborhood, four blocks from downtown old town, half degenerating and half up-town restoration. But, musicians live here. Artists thrive. Rich cultures mix. People walk their dogs – and their children – and themselves, every morning and evening. Skateboards trundle by, bicyclists call to one another and stop and chat. The weather is so fine, she opens her door each evening at 5:00 and plays through a piano repertoire for an hour. Folk songs, sixties, seventies, a nod to the eighties and nineties, something fresh; a river set, an Elvis Presley sampling. Good grief, she’s been playing for over 60 years. That’s a lot of music.

Last night as she launched into Danny Boy a particularly loud conversation caught her ear because it stopped right outside the window for the dog to do its business. Business complete, the human came right on up the porch, chattering on a phone all the while, and peered in the screen door. “I am talking to my friend in Buenos Aires,” she explained with thick accent, “She wants to know, do you know your music is heard in Argentina?”

“Hola!” the pianist called, waving to the screen. She continued to play with pride and an increased sense of excellence and performance. After all, she is going international. Her music is heard ‘round the world.

 

Herewith, I lay these heroes to rest

Quarantunes #7

They say, no matter how multilingual one is, in times of stress, we return to our native language. There was much that was lost during COVID-19; but there was also much that was gained. I found freedom of expression in a return to my creative languages. I have learned to share again through music and words via technology. There has been time for reflection on my past – and time to ponder how much of that past I want to take into my future. Welcome to May, 2020! As we begin to come out of our isolation cocoons and venture back into our new normal; this week instead of a piano snippet; I present you an original reading, “I Saw My Hero Fall.”

I SAW MY HERO FALL

I saw my hero fall before my eyes

Gut-wrenched I was because for moment’s pause

I thought utopia had finally come

He was so handsome – understanding – wise

I saw my hero lying on the bed,

his arms entwined; with those of someone else

And though he never ceased to lavish me,

I could not acquiesce – be one of three,

To me, who once treasured his hero heart;

Dead. He is only a man after all.

I found my hero slow to act when back

To back with hardship shared, he shut me out

And I was left in cold and stone, to make

A home for me alone, from sticks and straw

That I myself had faithfully gathered

From the common man, I expect failure,

Not from men to whom I swear my fealty

From the riff raff, I endure rejection

But not from those entrusted with my heart.

I saw my hero fall, beside the desk

A massive falsehood swirling in his head

He had forgotten who he was, who I

Sideswiped by multitude mutinous lies,

Karma of ruthlessness returned to haunt,

And that is why I’m shy of any man,

who trumps my hand at brains, brawn, heart or lust;

I saw my hero fall, and I can trust

In mere men, no more, when gods are needed

I saw my hero fall before my eyes

Gut-wrenched I was because for moment’s pause

I thought utopia had finally come

He was so handsome – understanding – wise

©Cherry Odelberg April 29, 2020

Holding Out For a Hero