Respect the Ex

I grew up in a conservative American household with two parents joined for life and two children – one female and one male – just perfect. So far, so good. My mother sewed my dresses, patched my brother’s blue jeans, braided my hair every day and told me what a pretty little thing I was. On Sunday mornings (and Sunday nights and Wednesday nights) we changed to our good clothes and went to church. When I was washed and combed and dressed appropriately my mother told me I looked nice. Frequently, I overheard my father tell my mother he loved her. But there were other things I overheard. I overheard my mother calling herself ugly as she stood in front of the mirror. I overheard her berate herself for looking fat, having a double chin, having short eyelashes (she was the type of conservative who does not wear makeup). She continued to affirm me and tell me I was pretty. Everywhere I went people told me how much I looked like my mother. Who was I to believe? The mother who said I was pretty? Or the mother whom I looked like who said she herself was ugly?

My grown-up life has not been perfect. I have been the wife of two husbands and am now single, solitary. I have made some mistakes over the years. Heaven knows I can see the glaring errors of my exes. But those men are the father – the other parent – of my children. Half of the genetic makeup of each of my children comes from someone other than me. Did I want to raise three children to adulthood the entire time pointing out the fault of their other parent? In that way, would they not learn to hate half of themselves? How much more conducive to character building if I pointed out the strengths and positives of the ex and encouraged the child to cultivate those positives?

My children are grown now, and all successful – each in his or her own way. And still the world around me unravels. Relationships of the younger generation fall apart. Couples who have been together for a decade or so decide to split, leaving the children they share to be shuffled from one domestic environment to another on a weekly basis. Wounded and hurting exes vie for the upper hand. 

I have observed at a safe distance while unyielding and self-righteous individuals, in completely asinine fashion, intentionally undermine the influence of the other parent and sow seeds of rebellion and hate.

I have also observed wounded and hurting exes who have triumphed. Those, who in maturity and wisdom have set aside their petty grievances for the sake of the whole health of their children.

I have seen exes fight and hurl insults on social media. I have also seen exes build each other up, compliment and thank each other, in view of the children – and the whole world – on social media. Just like they did when they were in love.

Do me a favor. Do the whole world a favor. For the sake of the children and their emotional and mental health; don’t insult, teardown, or disrespect the parent of your child! Travel back, into the far reaches of your mind to the good times – or the one good time. Find one solid respectable trait for your ex and dwell on that when you talk to your mutual children. Save the other stuff for the privacy of your counselor’s office or the ear of your trusted friend. You may feel that making yourself the perfect hero in the eyes of your child will give them someone to look up to. Yet, to make the other parent – your ex – into a perfect monster is to infer the child is half bad, half detestable, half ugly. Can you not care enough about the child of two individuals; can you not respect and love your child enough to speak respectfully of the other parent? Children grow smart and wise. They will soon form their own opinion about the actions and behaviors of those who fathered and mothered them. Don’t disrespect the parent of your child.

In a Music House part 4: Soundtrack for a road trip

After all, what is a road trip without music? She was the driver so she got to chose the playlist. It was a multi-generational girls trip for spring break and I was not driving. The playlist was not babyboomer – not from the 70s. The playlist was millennial and included a hearty dose of driving drumbeat intros (so far, so good), but also some raspy sounding screamo. 

I sat in the backseat feverishly editing the manuscript for Precious Journey. My (almost) 15-year-old granddaughter occupied the front passenger seat and my daughter of 33 years was driving. The trip was her idea. The music was her music. Suddenly, the timbre of the male voice grabbed my attention. There was something familiar about the vocal placement, even the enunciation of the lyrics. This was a clean professional recording I had not heard before. I thumped the back of the driver’s seat. “Is this Philip?” I called. “Nope,” she answered, “Project 86.”

We rode on. We heard some millennial classics. We listened to soundtracks.  A solid, hard, rock drumbeat laid an extended intro to a song. “This is my favorite band,” quipped my daughter from the driver’s seat. “You really like the drummer?” I queried. “Nope. Crush on the guitar player. This is the last thing they ever recorded.” It was, without question, a professional studio recording – not a rough take. And now I knew; she was the drummer. Three different band incarnations, same three musicians. They met in high school marching band. The first rock band formed in my basement at a homecoming party. They morphed into hardcore rock, then post hardcore. They lived for a time in the same house in Ft. Collins. They have now gone separate ways.

Fire Extinguisher – the first album my oldest son ever produced, toured, recorded, merchandised, released as a cassette and CD and personally presented me a T-shirt for. SMA – good old Shadrach, Meshach and Abednego from out of the past (think 1997) came wafting into my mind as I listened to the male voice, now more mature, judiciously trained, skilled and versatile. The driver turned to her niece. “That’s your dad,” she said. 

Friends, I am not musically illiterate and I am not going deaf. Yet, I could not tell the difference between the national best sellers and billboard names and my own children. When you have lived in a music house for over 60 years yourself, when you have been exposed to recording studios and stages of every genre, when you have spent a good deal of time on study and practice of vocal production, when you work daily in music, you notice things. My children have arrived. Whether the world ever recognizes them – or not – I do. These are children who grew up in a music house.